I see editing as the point where a film truly finds its form. Beyond assembling images, it is a process of shaping perspective, controlling rhythm and uncovering meaning within the material. The decisions made in the edit can fundamentally transform how a story is understood and experienced.

I’m a UK-trained film editor working across narrative, documentary and commercial projects, with undergraduate and postgraduate training in film production and editing. My collaborative, story-led approach focuses on rhythm, performance and structure—from first assembly to final cut. I also grade selected projects, using colour to support tone, atmosphere and visual continuity.